Use your keyboard arrow keys to navigate
7
Outcome Metrics
1.6k
Survey Responses

Contents

Photo: Miles Noel

Foreword

In December 2021, Fremantle Arts Centre embarked on its first major audience research activity in several years, surveying its entire existing database, facilitated by peak arts research organisation Culture Counts. This existing audience pool of over 100,000 individuals includes students, concert goers, arts industry stakeholders, artists, local Fremantle residents and other FAC visitors. Securing over 1,600 survey responses, the significant data gathered provides meaningful business insights and highlights the many areas where FAC exceeds industry benchmarks. The feedback is overwhelmingly positive, reporting extraordinary brand equity and visitor loyalty, and demonstrating the diverse cross section of the community who engage with FAC on a regular basis and place high value on the cultural contribution FAC makes in Fremantle, across the state and beyond. Some highlights include:

  • 99% of respondents reported having a positive overall experience
  • Net Promotor Score = 77 (above 0 is considered to be good and above 50 is considered excellent)
  • 98% of respondents agreed that FAC provides an important addition to the cultural life of the area
  • 97% of respondents agreed that they enjoy attending events at FAC
  • 96% of respondents agreed that FAC reflects the unique character of the area and its people
  • 96% of respondents agreed that FAC made them feel safe and welcome
  • 99% indicated they intend to return to FAC in the future

Despite the positive results, the report also clearly highlights the need for investment in the following areas:

  • Accessibility
  • Café
  • Toilets
  • Parking
  • Public Transport to FAC
  • Heating and cooling across the precinct

The report also clearly demonstrates opportunities for audience growth and diversification. Some of the key insights include:

  • Significant potential to attract and engage new visitors
  • Significant opportunity to increase audiences aged 20-29 and 30-39, consideration to be given for increased programming for these segments, including family events
  • New marketing channels could be adopted to reach youth audiences, e.g. TikTok, and particular existing channels – e.g. Instagram – could be better leveraged to reach new audiences
  • Opportunity to build on strong audience diversity by engaging more people who speak languages other than English (6%); identify as living with disability (6%), and identify as Aboriginal and/or Torres Strait Islander (3%)
  • Large audience interest in film programming (71%) presents an opportunity to attract new visitors
  • Reported influencing factors which drive visitation indicate raising the profile of FAC’s shop, café and grounds could attract new demographics
  • The reported effectiveness of FAC’s quarterly printed program is low (13%). Consider redirecting this investment into growing FAC’s strong-performing digital assets

Additional investment in branding, marketing and promotion would increase FAC’s ability to reach and engage new audiences. The report demonstrates FAC’s strength at building community, engaging with its audience to ensure retention and promoting specific events, but commentary throughout speaks to the limits to increase brand awareness and grow without increased resources. The data in this report will form the basis of FAC’s audience development framework and provide benchmarks moving forward as the organisation strives for continuous improvement in both the quality of its cultural contribution and creating a welcoming, inclusive space that is enjoyed by the whole community. The next iteration of this survey will be conducted at the conclusion of the 2022-23 summer season.

Unsplash — Photo: Jessica Wyld

Methodology

Fremantle Arts Centre

Fremantle Arts Centre (FAC) is a major multi-disciplinary contemporary arts organisation in Western Australia and the City of Fremantle’s premier arts service. Housed in an extraordinary gothic heritage building and lush leafy grounds, FAC presents an annual program of contemporary visual arts exhibitions, a diverse range of multi-disciplinary performance, music, conversations and public programs. FAC supports a unique artist in residence program, extensive arts learning workshops and is home to a café and the FOUND shop – celebrating the highest quality creations of WA makers.

Evaluation Methodology

Fremantle Arts Centre engaged Culture Counts to conduct an evaluation of their general audience and attendees of the Centre. The evaluation was conducted by surveying members of the general public who had engaged with or visited FAC in December 2021. Surveys were delivered through QR codes and intercept interviews.

1617 responses were collected from public attendees.

Each survey contained a range of ‘dimension’ questions, asking stakeholders about their experience of the event. These dimensions have been developed and tested in collaboration with industry, practitioners, and academics to measure the impact and value of arts and cultural events and activities.

Appropriate dimensions were chosen based on their alignment with FAC's strategic objectives.

Public Assessment
DomainDimensionDimension statement
SocialSafeIt made me feel safe and welcome
EconomicDiversityIt engaged people from different backgrounds
Arts QualityCultural ContributionIt provides an important addition to the cultural life of the area
Place QualityEventsI enjoy attending events here (e.g. festivals, markets, concerts)
FacilitiesI am satisfied with the public facilities here
AuthenticityI think that this place reflects the unique character of the area and its people
CommunityI feel a sense of community here

Dimensions are assessed on a Likert scale, in which respondents move a slider to a point that indicates whether they agree or disagree with the dimension statement. An example of a dimension question in the Culture Counts survey tool is presented below.

likert scale example
IOTA21 — Photo: Fremantle Arts Centre

Attendee Profile

Demographics

Survey respondents were asked to provide their age, gender, and identity. This data identifies the demographic sample of people who responded to the survey and took part in the event. It enables data to be matched to the wider population and responses to be filtered to understand differences in demographics.

The following charts show the proportion of survey responses captured for each of the age, gender, and identity demographic questions.

Loading...
Loading...
Loading...

Insights

The largest age group of respondents were those aged 40-49 (26%), closely followed by those aged 50-59 (23%), over 60 (23%) and 30-39 (21%). Those aged 20-29 made up a much smaller percentage of the sample (6%), as did those aged under 20 (<1%). The age distribution shown reflects a strong opportunity to further engage those from the 20-29 and 30-39 age groups. When compared with DLGSC's Arts and Culture Benchmark results, it can be seen that Fremantle Arts Centre's age demographics are typically younger, with a much more even spread of audiences and attendees from all age groups, when compared with other WA Arts & Culture organisations.

80% of respondents were female, 17% identified as male, 2% chose not to say and less than 1% identified as non-binary, trans or in another way. This gender breakdown is typical of WA arts organisations, whereby the large majority of survey respondents are female. This can be seen further reflected in the benchmark values shown, sourced via DLGSC's Evaluation Snapshot: Culture and the Arts 2016-2019.

29% of the overall sample identified as being born overseas. 9% identified as people from the LGBTQIA+ community and a further 9% identified as someone caring for people living with disability. 6% of survey respondents mainly speak a language other than English. Respondents who identified themselves as living with disability made up 6% of the sample and 3% of respondents identified as Aboriginal/Torres Strait Islander. The varied breakdown of identities listed suggests that Fremantle Arts Centre engages audiences and attendees from a wide range of backgrounds.

Postcode Heatmap —

Location and Postcode

Survey respondents were asked to provide their current living location and postcode. This data identifies the demographic sample of people who responded to the survey and took part in the event. It enables data to be matched to the wider population and responses to be filtered to understand differences in demographics.

The following charts show the proportion of survey responses captured for respondents' identified living location and top suburb results.

Loading...
Loading...
Note: The groups in the Postcode Heatmap chart on the previous page are 'left-inclusive'; i.e. if a postcode has a value of exactly 1.0% it will be grouped into the "1-2%" group, rather than the "0.5-1%" group.

Insights

Respondents travelled from all over WA to attend Fremantle Arts Centre. 65% of the total sample reported living in the Perth Metropolitan Area and 29% reside in the City of Fremantle. Respondents residing elsewhere in WA made up 5% and interstate and overseas respondents made up less than 1% each.

The most commonly cited suburb was Hilton (10.8%), followed by White Gum Valley (10.2%), Fremantle (9.1%), East Fremantle (4.3%) and Bicton (3.9%).

Photo: Rebecca Mansell

Travel Methods

Respondents were asked to indicate how they normally travel to Fremantle Arts Centre. Responses can be seen distributed on the chart below.

Loading...

Insights

The majority of respondents reported that they normally travel to the Fremantle Arts Centre by 'Car - as a driver' (72%). 27% of respondents usually travel by 'Car - as a passenger (carpool)', 22% walk and 12% catch the train or travel via a rideshare company. 9% of respondents catch the bus and only 1% ride their motorcycle or scooter.

Photo: Fremantle Arts Centre

Attendance

Attendance Frequency

Respondents were asked to indicate how frequently they attend Fremantle Arts Centre. Responses can be seen distributed on the chart below.

Loading...

Prior Attendance

Respondents who indicated that they attend Fremantle Arts Centre 1-2 times a year were asked a follow-up question about whether this was their first time attending.

Loading...

Insights

Almost half of the sample (45%) reported that they visit Fremantle Arts Centre 3-4 times a year. 25% of respondents attend 1-2 times a year, 23% attend at least once a month and 6% attend at least once per week. The majority of respondents (93%) who visit the Fremantle Arts Centre 1-2 times per year had visited the Fremantle Art Centre previously and only 7% were attending for the first time.

While this indicates an extremely high level of visitor loyalty, it reflects a large opportunity for Fremantle Arts Centre to attract and market to new audiences who have not attended the centre before.

Photo: Pixel Poetry

Outcomes

Insights

All seven dimensions achieved an average agreement rate of 80/100 or higher, an excellent result. Of all seven measurable dimensions, 'Events' (91/100) and 'Cultural Contribution' (90/100) received the highest average levels of agreement overall. This demonstrates that respondents most agreed that they enjoyed attending events at Fremantle Arts Centre and that the Centre is an important addition to the cultural life of the area.

'Facilities' (80/100) was the dimension that received the lowest average agreement rate, indicating that of all comparable dimensions, respondents were least likely to agree that they were satisfied with the public facilities at the Fremantle Arts Centre.

'Diversity' had the largest interquartile range, as well as the shared lowest median score. This indicates that responses varied the most when respondents were asked if they believed Fremantle Arts Centre engaged people from different backgrounds.

At a 95% confidence level, the margin of error for dimensions ranged from 0.6% to 1.0%. This means that we can be 95% confident that if we surveyed the entire visitor population, the average outcome for 'Events' would fall within 0.6% of the average generated by the sample.

Outcome Averages

Loading...
Loading...
Loading...

Methodology

Survey respondents moved a slider to indicate whether they agreed or disagreed with the included dimension statements in relation to Fremantle Arts Centre. The first tab chart contains the response data for 'public' responses, showing the average result for each dimension.

The second tab shows the interquartile range of responses for each dimension. These ranges represent the middle 50% of responses, which are areas on the slider where most responses typically fell. Accompanying this range is the median result for each dimension (i.e. the most common response). Smaller ranges indicate similarity in agreement between respondents, whereas larger ranges indicate a wider spread of responses.

The Culture Counts platform provides various methods to capture survey responses at a minimal marginal cost. Achieving larger samples enables organisations to be more confident about the average results and that opinions of the survey respondents are representative of all attendees. The accompanying margin of error chart shows the expected differences for the associated dimension results calculated at a 95% confidence level.

Photo: Miles Noel Photography

Outcomes Agreement

All dimensions measured achieved levels of agreement of 88% or higher, an excellent result. The highest level of agreement was seen for 'Cultural Contribution' (98%), 'Events' (97%) and 'Authenticity' (96%). This demonstrates that respondents were most likely to agree that Fremantle Arts Centre provides an important addition to the cultural life of the area, that they enjoy attending events there and that it reflects the unique character of the area and its people.

Out of all dimensions, respondents were least likely to agree with 'Facilities' (88%), demonstrating that respondents were least likely to agree that they are satisfied with the public facilities at Fremantle Arts Centre.

Loading...

Culture Counts uses a slider input to measure responses for dimension statements as part of the evaluation methodology. This method also provides the capability to understand response results within a typical 5-point agree-to-disagree format.

The following charts contain the response data for 'public' responses. The first chart shows the percentage of people that agreed or disagreed with each of the statements, using a 5-point ordinal Likert scale.

The second chart shows the interquartile range of responses for each dimension. These ranges represent the middle 50% of responses, which are areas on the slider where most responses typically fell. Accompanying this range is the median result for each dimension (i.e. the most common response). Smaller ranges indicate similarity in agreement between respondents, whereas larger ranges indicate a wider spread of responses.

Improve your throwing skills - Adult class — Photo: Fremantle Arts Centre

Overall Experience

Respondents were asked about their overall experience of attending Fremantle Arts Centre, with a choice of five options - Excellent, Good, Neutral, Poor, and Terrible.

This chart shows the percentage of respondents that rated the events overall across these five options and the results per event.

Loading...
Good + Excellent: 99%

Insights

Almost the entire sample (99%) reported having a positive experience overall, an outstanding result. Of this sample, 72% reported having an excellent experience and 27% reported their experience as good. 1% of respondents reported having a neutral experience and less than 1% reported their experience being poor or terrible.

Photo: Pixel Poetry

Net Promoter Score

Respondents were asked whether they would recommend Fremantle Arts Centre to a friend or colleague. Respondents could choose a number from 0 to 10 from a menu, with 0 meaning 'not likely at all' and 10 meaning 'extremely likely'.

These results can be used to calculate a Net Promoter Score (NPS). NPS is a standardised metric that seeks to measure loyalty between an organisation and its audience. Respondents with a score of 9 or 10 are considered 'Promoters'. 'Detractors' are those who respond with a score of 0 to 6. Scores of 7 and 8 are considered 'Passives'.

NPS is calculated by subtracting the percentage of respondents who are Detractors from the percentage of customers who are Promoters. This means that an overall Net Promoter Score can range between -100 to +100.

This chart shows the proportion of respondents that would or would not recommend Fremantle Arts Centre, followed by the calculated NPS below.

Loading...
Note: The below Culture Counts median score has been sourced from the wider Culture Counts dataset, providing a benchmark result for comparison.
Net Promoter Score: 74
Culture Counts median score: 60

Insights

78% of respondents rated Fremantle Arts Centre either 9 or 10, indicating they would be classified as Promoters. 18% of respondents had passive results (7 or 8) and 4% would be considered detractors (scoring between 0-6).

An NPS that is positive (i.e. higher than zero) is felt to be good, and an NPS of 50+ is excellent. Fremantle Art Centre's NPS of 74 is excellent and indicates that audiences have a high level of loyalty towards the centre and are very likely to promote it when speaking with others.

Fremantle Arts Centre's NPS of 74 sits significantly above the benchmark median result sourced from other Culture Counts users (NPS = 60), an excellent result demonstrating an above-average level of loyalty to the organisation.

Revealed Opening — Photo: Fremantle Arts Centre

Attendee Behaviour

Intent to Return

Respondents were asked to indicate whether they would be likely to return to Fremantle Arts Centre, based on their recent experience. Those who demonstrated that they were unlikely to return were asked a follow-up question about the reasons why. A selection of responses have been highlighted below.

Loading...

Insights

Almost the entire sample (99%) indicated that they would be likely to attend another event by the Fremantle Arts Centre in the future, an excellent result.

Reasons for not Returning

Respondents who indicated that they were not interested in returning to Fremantle Arts Centre were asked if they would like to explain their answer. Common responses have been visualised below in the form of a wordcloud, whereby the largest words shown were the most commonly cited.

Hundreds Thousands — Photo: Fremantle Arts Centre

Interests and Habits

Fremantle Arts Centre sought to understand its typical attendees and their behaviours.

The following charts detail the frequency that FAC visitors attend arts and cultural events, as well as the general interests commonly cited by its attendees and visitors, from the selection of options provided.

Loading...
Loading...
Loading...
Loading...
Categories with fewer than 10 responses have reduced opacity to indicate that the value(s) may not be representative due to the small sample size.
Loading...

Insights

The majority (42%) of respondents attend arts and cultural events or activities at least once a month, with 11% of respondents attending at least once a week. 34% of respondents attended 3-4 times a year and 12% cited once or twice a year. Only 1% identified that they never attended arts and cultural events or activities.

In terms of attendee interests, 77% of respondents demonstrated an interest in contemporary music, 75% in visual art and 71% in film. The art forms that attendees showed the lowest level of interest in were classical dance (26%) and cabaret (24%), however these art forms were still represented by a significant proportion of the sample.

Photo: Miles Noel Photography

Influencing Factors

The following charts detail the factors that generally influence attendees visit Fremantle Arts Centre from the selection of options provided.

Loading...

Insights

The majority (77%) of respondents attended the Fremantle Arts Centre due to a specific event/show. 47% attended for arts & culture in general, 46% for a specific exhibition/artist, 41% for entertainment in general and 40% to enjoy the grounds. The least common reasons people attended the Fremantle Arts Centre were to support artists (in general) (26%), for a unique experience/something different (24%) or to support the organisation and venue (23%).

Desired Programs

Respondents were asked what programs they'd like to see at Fremantle Arts Centre that aren't already presented. Common answers can be seen in the word cloud below.

Print Award — Photo: Fremantle Arts Centre

Marketing

Methods and Effectiveness

Respondents were asked to indicate how they commonly hear about events at Fremantle Arts Centre. This can be used to assess the effectiveness of various marketing methods and channels. Responses to this question can be seen distributed on the chart below.

Marketing Methods

Loading...

Marketing Effectiveness

Respondents were asked a follow-up question to rate the effectiveness of Fremantle Arts Centre's marketing and promotional materials (programs, posters, invitations etc.). Responses can be seen below.

Loading...

Insights

The most commonly cited marketing channel was the Fremantle Arts Centre email/newsletter, with two-thirds (66%) of respondents hearing about events through this method. Facebook (43%), word of mouth (41%) and the Fremantle Arts Centre website (38% of respondents) were also proven to be effective marketing methods for Fremantle Arts Centre. The least cited marketing channels were Fremantle Arts Centre brochure (13%) and print advertising (12%).

80% of respondents rated the marketing effectiveness at least a 7/10, with 19% rating it 10/10, suggesting respondents believe the marketing methods employed by the Fremantle Arts Centre to be effective. 10% of respondents rated the marketing effectiveness a 6/10, 8% a 5/10 and less than 4% rated it a 4/10 or below.

Photo: Miles Noel Photography

Brand Recognition

Respondents were asked to indicate whether they believed that Fremantle Arts Centre has a strong and recognisable brand. Those who responded 'No' were asked to explain their answer and to make suggestions as to how it could be improved. Responses and a selection of comments can be seen below.

Loading...

Insights

The vast majority (91%) of respondents believe that Fremantle Arts Centre have a strong and recognisable brand, an excellent result. Only 9% of respondents reported thinking the brand was not strong and recognisable.

Photo: Ella Wylynko

Venue Perceptions

Accessibility

Respondents were asked to indicate whether they agree or disagree that they find Fremantle Arts Centre to be accessible to everyone. This question relates to mobility within the venue and experience using the facilities (e.g. galleries, learning areas). Those who disagreed were asked to suggest ways that accessibility could be improved, allowing organisers to better understand the needs of its attendees and audiences. A selection of comments have been highlighted below.

Loading...

Insights

Overall, 62% of respondents agreed that they found the venue to be accessible to everyone, of these 15% strongly agreed and 47% agreed. Just over one-quarter (27%) of respondents either felt neutral about or disagreed with the idea that Fremantle Arts Centre is accessible to everyone.

Bazaar — Photo: Fremantle Arts Centre

Centre Name

Respondents were asked to indicate whether they felt that 'Walyalup', the Noongar name for Fremantle, should be incorporated into the name for Fremantle Arts Centre.

Loading...

Insights

The majority (57%) of respondents indicated that they thought 'Walyalup' should be incorporated into the name of Fremantle Arts Centre. 31% of respondents selected 'unsure/maybe' and 12% disagreed. These results indicate additional, wider consultation is required.

Photo: Fields and Skies

Economic Activity - City of Fremantle

Visitors to Fremantle Arts Centre were asked additional questions about their spending, and their intent to engage with local traders in the City of Fremantle. This data can be used to determine economic activity generated by visitors of FAC.

Activity Engagement and Visit Spending

Loading...
Loading...
Average Spend: $71 (per person)

Insights

The majority (85%) attended local restaurants during their trip to the City of Fremantle. 56% attended other arts and cultural events and 54% shopped during their visit. A further 24% also visited tourist attractions.

The majority of respondents (73%) reported spending $0-$100 (36% spent $0-$50 and 37% spent $50-$100) during their trip. 15% reported spending $100-$150 and 8% spent between $150-$250 (4% spent $150-$200 and 4% spent $200-$250). Less than 5% of respondents spent between $250-$500. The average visit spend was determined to be $71.00 per person.

Photo: Miles Noel Photography

Comments and Feedback

Sentiment Analysis

Respondents were asked to leave any additional feedback about their experience at Fremantle Arts Centre. This feedback has been classified into positive, neutral, or negative categories, with the percentage of feedback sentiment types presented in the following chart.

Loading...

General Feedback

Feedback helps organisations understand where the value of visitor experiences lies and how they can be improved and strengthened in the future. A selection of comments have been highlighted underneath.

"This is a picturesque venue, shaded, lively and community focused. Talking with the talented crafts people about what they make is such an enjoyable experience. The colour and vibrancy is evident. Maybe my word is inspiring and vibrant. The morning shared was a beautiful experience, and my Xmas shopping completed. What a wonderful continued experience. Thank you to the team and community of artists that are to be commended on the quality of their offerings."

"We are long term East Freo residents - you may want to widen the area in terms of surveying "local" usage of facilities. We love FAC. We got married there, went to concerts there, had mother's group and attended buster the fun bus. We continue to be regulars to enjoy the coffee and the trees, book launches, art courses and music events. You have the balance perfectly right - particularly the content of evening events which seems to attract a safe, happy crowd. Thank you."

"Thankyou FAC for fostering a fabulous vibrant cultural hub. I used to live over the road and have been coming to exhibits and courses and music gigs for over twenty years. Fav place!!! Have introduced all my friends to it. Itsalso been a great way for me to get together with my friends. Thankyou xx i so appreciate it."

"I love coming to FAC every week for ceramics class. Exceptional teachers, lovely people , stunning grounds, amazing food, great shopping and truly unique exhibits. There's something so calming and peaceful for me being there."

"I love the FAC. It has a great sense of community and connection. I feel nourished every time I visit. Thanks for providing such a wonderful place and events, workshops, gigs etc that are wonderful."

"Love the inclusiveness of indigenous art and the diversity of cultural events included in the program (KGLW). Love the gift store. Have attended workshops as an adult participant and also enrolled my children. I find they are a bit short and not great value for money. Would a more family friendly price point, or happy to pay current prices but have a more value for money experience (longer classes). Free workshops also book out very quickly. Having said that our family will continue to support FAC's offerings when we are able."

"Very much grateful for working so hard at getting people out of their homes, away from their TVs to get together and feel since of community, enjoying being with other humans. We need so much more of this. Thank you for your leadership. GRATITUDE and RESPECT."

"Every visit I find staff and tutors effusive about Fremantle Arts Centre. This gives the whole venue an upbeat vibe which transfers to visitors and students enriching our lives."

"There is very much a positive vibe with the arrival of new management. The schedule is buzzing."

"I think FAC accommodates abled people really well and accessibility for courses financially and physically exclude everybody from being able to participate. Staff are generally friendly and welcoming. Last season the Sunday music was too loud but last Sunday, the sound was just right. I do know people in the community stopped going to Sunday music because it was too loud. Maybe offer some workshops down stairs for people who can't walk up stairs. I'm not sure if you accept companion cards but they are good to assist people who require assistance with courses and other activities like concerts. We love FAC in general‚ a wonderful place‚ I'd like to see more dance there."

"Parking is the only tricky part as I have bad knees and it's still a bit of a walk."

"The teachers are actually very good, the reception very helpful, and the cafe is very good. The problem is accessible parking and having to carry art supplies. There is also a security problem with cars being broken into on the street. A return of the parking by the pottery shed would solve all those problems."

"Don't stray too far from the current format. Ensure indigenous art is well represented and dont go too commercial and end up lowering standards."

"Aside from parking issue for elderly & disabled students on site & safety parking at night FAC is offering a broad blend of arts & cultural opportunities for the community."

"Cafe was not great, weird set up, a bit dingey and dirty. Not super friendly like rest of the staff at FAC."

"I attended few art courses and other events, toilets are terrible and disgusting every single time I am there. This is part of customer needs and its part of how this place looks and its really shame. You should improve that alot."

"Accessibility upstairs is my main gripe, although the change to parking is also a concern."

"Food availability and alcohol choices are not always consistent. I would like to support the food outlets but tend to take my own now because of the low number of food vans resulting in long lines."

"There should be etickets for free events to prevent disappontment at the gate like it recently happened for Aboriginal Culture event that had reached full capacity within an hour of it's opening. It was unfair, especially for those people that travel far distance to get there."

Photo: Pixel Poetry
Data and Insights by
Report prepared for

This report has been prepared by Laura Doyle, Rosie Tooby and Tom McKenzie of Culture Counts. The authors would like to thank all stakeholders and staff for their participation in this research.

Approved by: Laura Doyle
Date: 28 September 2022.

We respectfully acknowledge the Traditional Owners of Country throughout Australia and recognise the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures, and to Elders past and present.