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Surveys
93.1k
Survey Responses
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Dimension Responses

Contents

Courtesy of Windmill Pictures — Photo: Claudio Raschella

Overview

Background

The Culture Counts Evaluation Platform has helped arts and cultural organisations measure outcomes associated with events, activities and services since 2012.

Culture Counts supports arts and culture clients to easily and consistently collect data from a range of stakeholders, including participants, audiences, visitors and businesses.

This benchmark report provides a snapshot of results from a selection of cultural sector organisations in 2023-24.

A key focus of the data is the important outcomes generated by arts and cultural organisations through their evaluated events, programs and activities. It also provides insights into the demographic mix, location and experience of respondents.

Organisations in the arts and culture sector can use this benchmark data to gain confidence in choosing the right metrics, compare against their own results, and set KPIs for the coming year. Contact us to discuss incorporating benchmarks into your reporting.

Evaluation Services

Culture Counts provides a suite of evaluation services to help organisations measure outcomes aligned with cultural, social, economic and community outcomes. This includes reviewing the strategic objectives and goals of organisations and aligning them with appropriate outcome areas and evaluation measures within a Strategic Alignment document. This process ensures that all evaluations are designed and executed in accordance with the agreed strategic direction and all data collected can be linked to important and agreed success factors.

Culture Counts helps organisations to plan best-practice evaluations through the creation of evaluation schedules, development of survey templates, distribution plans and the ongoing monitoring of response rates throughout the survey period. Evaluation planning maps out the data collection strategy across programs to ensure a rigorous process is followed and the broad range of benefits and impacts of programs are captured.

Culture Counts can assist in drafting survey templates for review by organisations using measures provided and agreed as part of the strategic alignment exercise. A selection of surveys can be prepared to enable feedback to be collected in an easy and streamlined way from public event attendees, participants, visitors, businesses and other stakeholders.

Culture Counts surveys typically contain a range of ‘dimension’ questions developed and tested in collaboration with industry, practitioners and academics to measure the impact and value of arts and cultural events and activities. Dimensions are assessed using a Likert scale, in which respondents move a slider to indicate whether they agree or disagree with the dimension statement. An example of this question format as used in the Culture Counts survey tool is displayed below.

likert scale example
L2R Fam Jam — Photo: NamChops

Dimension Framework and Usage

The Culture Counts Evaluation Platform contains in-built sets of metrics, designed to measure outcomes associated with cultural and community experiences. Metrics have been developed, tested and refined with the sector, and enable easy data collection from audiences and communities. The use of standardised language and consistent collection methodologies enables data to be aggregated, providing this opportunity for sector benchmarking and big data insights.

Culture Counts' metrics have been adapted from the Cultural Development Network (CDN)'s measurable outcomes schema, enabling measurement across cultural, social, community, environmental and economic domains. By using an agreed set of outcomes across these domains, it is possible for all investments or programs to be evaluated using the same criteria, to identify where the greatest change is occurring and where best to direct limited funds to achieve maximum benefit.

The table below shows the Dimensions and Statements used by the selected arts and cultural organisations in 2023-24. The table also illustrates the number of surveys in which each Dimension is included, and the number of survey responses captured across the selected surveys for each Dimension. To be included in the benchmark set, a Dimension had to be used in at least 10 surveys.

Domain Dimension Statement Surveys Responses Benchmark*
Cultural Aesthetic Experience It gave me a sense of joy, beauty and wonder 40 8,120 88
Cultural Meaning It moved and inspired me 149 25,983 81
Cultural Understanding It gave me new understanding and perspective of art 17 3,206 80
Cultural Insight It helped me gain new insight or knowledge 35 4,690 77
Cultural Heritage It made me feel connected to a shared history/culture 40 4,545 76
Cultural Imagination It opened my mind to new possibilities 36 4,331 76
Cultural Challenge It challenged me to think in a different way 52 15,260 73
Domain Dimension Statement Surveys Responses Benchmark*
Social Safe It made me feel safe and welcome 17 3,563 90
Social Equality I was treated as an equal 13 4,393 88
Social Inclusion It made me feel welcome and included 62 5,633 84
Social Access It gave me the opportunity to access activities I would otherwise not have access to 104 15,078 82
Social Wellbeing It had a positive impact on my physical health and mental wellbeing 43 19,877 82
Social Connection It helped me to feel connected to people in the community 90 17,930 75
Domain Dimension Statement Surveys Responses Benchmark*
Community Place It made me feel proud of my local area 29 6,542 81
Community Belonging It helped me feel part of the community 81 11,856 78
Community Understanding It helped me to better understand the place and people where I live 10 433 76
Domain Dimension Statement Surveys Responses Benchmark*
Economic Growth It could appeal to new audiences 30 3,754 83
Economic Diversity It engaged people from different backgrounds 45 9,379 80
Domain Dimension Statement Surveys Responses Benchmark*
Placemaking Vibe I enjoy the vibrancy and the people in this place 10 6,020 89
Placemaking Vibrancy I enjoy the vibrancy and activity here 43 14,608 88
Placemaking Atmosphere I enjoy the atmosphere here 44 13,263 88
Placemaking Accessibility I find it easy to get to and from here 10 5,988 87
Domain Dimension Statement Surveys Responses Benchmark*
Qualities Enjoyment I had a good time 14 803 93
Qualities Presentation It was well produced and presented 153 27,360 91
Qualities Local Impact It's important that it's happening here 88 18,902 90
Qualities Captivation It held my interest and attention 103 24,759 90
Qualities Rigour It was well thought through and put together 87 12,644 89
Qualities Enthusiasm I would come to something like this again 88 31,345 88
Qualities Concept It was an interesting idea 50 3,217 88
Qualities Cultural Contribution It provides an important addition to the cultural life of the area 115 31,174 87
Qualities Risk The artists were not afraid to try new things 24 5,426 84
Qualities Excellence It is one of the best examples of its type that I have experienced 93 16,418 82
Qualities Innovation It was introduced to the audience in a new way 20 5,010 81
Qualities Distinctiveness It was different from things I've experienced before 87 18,622 79
Qualities Content It reflected a broad and inclusive range of voices 66 7,176 78
Qualities Authenticity It had a connection to the State/Country we live in 14 2,731 78
Qualities Relevance It had something to say about today's world 89 23,883 71
Qualities Originality It was ground-breaking 10 2,025 66

*'Benchmark' refers to the median survey result in the Arts & Culture benchmark dataset.

Outcome Area Descriptions

The table below describes each of the 19 outcome areas within the framework. These reflect the changes that arts and culture organisations seek to generate for their communities through the services, facilities and experiences they provide.


DomainOutcome AreaOutcome Description
CulturalStimulating CreativityStimulating creativity or sparking the imagination
CulturalAesthetic EnrichmentFeeling positive emotion, challenge or transcending the everyday through an aesthetic encounter
CulturalInsight & ReflectionDeveloping knowledge, ideas and insights resulting from the work
CulturalAppreciation of ExpressionDeveloping an appreciation of different forms of cultural expression, including new forms generated when diverse cultures come together
CulturalShared HeritageDeveloping a connection to a shared cultural history and heritage and experience of cultural identity and values
SocialEquality & EquityEnsuring fair and just opportunities, experiences and outcomes
SocialConnectionBuilding and strengthening connections and understanding between different people
SocialSafety & SecuritySafety, security & freedom from discrimination supported
SocialMental WellbeingImproving quality of life and mental wellbeing
SocialPhysical HealthImproving physical health
CommunityCommunity BelongingEnhancing a sense of belonging, connection to and appreciation of local or wider community
CommunityLocal EngagementInspiring people to participate more actively within their communities.
CommunityPride & PlaceIncreasing sense of value or appreciation for a particular place.
EconomicEmployment ProspectDeveloping skills or knowledge that enhance capacity to obtain meaningful employment, or to be effective in profession or practice
EconomicIndividual Economic WellbeingContributing to the economic wellbeing individuals need to meet living costs, maintain standards of living, flourish and be fulfilled
EconomicSector DevelopmentDeveloping networks, new works, innovations or investments
EconomicReachGreater number and diversity of audiences/visitors
EnvironmentalEnvironmental AwarenessIncreasing understanding and awareness of environmental issues and their impact on their community and the world
EnvironmentalNatural ConnectionHelping our connection to the natural world be recognised, understood and appreciated
Rollercoaster by Everybody NOW! — Photo: Claudio Kirac Artwork Agency

Dimension Outcomes

In 2023-24, selected arts and cultural organisations collected 93,181 survey responses from more than 500 surveys. From these, 464,994 dimension question responses were recorded. This provides a very comprehensive picture of the outcomes generated by arts and culture organisations from their evaluated activities, and a strong set of benchmarks to which they can compare their own results and set targets.

The set of charts below show the typical range of survey results for each dimension question, grouped into their appropriate domains. This range is known as the interquartile range, and represents the "typical" result that can be benchmarked against. The solid line is the median result. Additionally, benchmark ranges are provided by artform, enabling organisations to benchmark against others from their relevant category, or from organisations across the entire sector. You can toggle on or off the individual survey results (coloured by artform) using the checkbox below the 'Overall' chart to see the spread of results that go into making the benchmark range.

How to use this chart

After you have collected survey responses for Dimension questions using Culture Counts, you can view the results in the Analytics Dashboard to see the average (or "mean") score. The charts below show the typical range that these average scores fall into.

For each Dimension there is a range from the Q1 (25th percentile) to Q3 (75th percentile) values, known as the interquartile range, with a white line representing the median result. Hover over the bars to see the each value in detail.

Simply put, this means is that if your score lies above the median (solid line), your result was higher than (at least) half of all of the surveys in the benchmark dataset. If your result sits outside of the box to the right (higher than the Q3 value) you are in the top 25% of all surveys - a great result!

Additionally, the size (or spread) of the interquartile range itself can tell us about how much variation there is in the typical result. A large interquartile range means that there are greater differences in survey results, whereas a narrow range indicates that the results are mostly quite similar or consistent.

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Surveys: 10 < s < 153; Responses: 433 < n < 31,345
Note: Minimum number of surveys for dimension to be included is 10.
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Surveys: 10 < s < 88; Responses: 413 < n < 20,872
Note: Minimum number of surveys for dimension to be included is 10.
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Surveys: 10 < s < 72; Responses: 832 < n < 18,593
Note: Minimum number of surveys for dimension to be included is 10.
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Surveys: 11 < s < 19; Responses: 2,327 < n < 5,561
Note: Minimum number of surveys for dimension to be included is 10.
Artist Sarah Ward, of Fat Fruit Projects, Victoria's Pride 2024 — Photo: Suzanne Balding

Respondent Profile

Gender, age, postcode and identity information is collected in a standard way via the Question Bank feature in the Culture Counts survey builder. This enables demographic data to be aggregated across the database and filtered to understand trends and differences in engagement and outcomes by demographic.

The charts below show the gender, age and identity breakdown of arts and culture survey respondents in 2023-24. Over 25,000 respondents provided their gender, over 53,000 provided their age, and over 15,000 provided their identity classification. The results are also compared by artform.

How to use these chart

The benchmarks for non-Dimension questions shown in the rest of this report are presented in a similar format. For choice-based questions, the typical percentage of respondents is shown using a range from the Q1 (25th percentile) to Q3 (75th percentile) values, known as the interquartile range. The solid line represents the median result. Hover over the bars to see the values for each in detail.

If your result is above the median (solid line), it demonstrates that it is higher than the typical survey. Results that fall outside the interquartile range demonstrate either a score that has exceeded the benchmark (above Q3) or fallen short (below Q1), suggesting possible areas of improvement.

For example, if a survey had a percentage of male respondents of 42%, we could see that this is a higher proportion when compared to the typical survey result. Specifically, the Q3 value for the 'Male' category ('Overall' benchmark set) is 31.5%, and so a value of 42% is higher than typical.

Additionally, the size (or spread) of the interquartile range itself can tell us about how much variation there is in the typical result. A large interquartile range means that there are greater differences in survey results, whereas a narrow range indicates that the results are mostly quite similar or consistent.

Gender

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Overall: 195 surveys, 25,990 responses; Cultural Institutions: 67 surveys, 4,361 responses; Performing Arts: 115 surveys, 17,890 responses; Festivals: 13 surveys, 3,739 responses.

Age Group

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Overall: 260 surveys, 53,606 responses; Cultural Institutions: 110 surveys, 23,361 responses; Performing Arts: 127 surveys, 23,430 responses; Festivals: 23 surveys, 6,815 responses.

Identity

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Overall: 102 surveys, 15,503 responses; Cultural Institutions: 53 surveys, 3,501 responses; Performing Arts: 31 surveys, 6,714 responses; Festivals: 18 surveys, 5,288 responses.
SXSW Sydney 2023 — Photo: Jodie Barker

Experience

The Culture Counts Evaluation Platform contains a Question Bank of in-built questions that sits alongside the outcomes dimensions. These cover topics such as tourism, demographics, marketing and patron behaviour, using best-practice question formats. Two experience questions have been used by organisations consistently for many years, and are designed to measure overall experience and likelihood of recommendation (net promoter score). The consistent format enables data to be aggregated for benchmarking and filtered to understand trends and differences across variables.

The first chart below shows the typical range of results for arts and culture surveys with respondents who had an excellent, good, neutral, poor or terrible experience with the event, activity or service that was being evaluated. Almost 200 surveys, and more than 31,000 responses were collected. Results are also provided by artform.

Overall Experience

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Overall: 194 surveys, 31,309 responses; Cultural Institution: 80 surveys, 6,569 responses; Performing Arts: 89 surveys, 15,249 responses; Festival: 25 surveys, 9,491 responses.

Would Recommend (Net Promoter Score)

The Net Promoter Score (NPS) is a standard marketing metric that can be calculated by grouping respondents who answer the question "How likely is it that you would recommend this event to a friend or colleague?" into categories of 'Promoter', 'Neutral', and 'Detractor'. The NPS value is the proportion of Promoters minus the proportion of Detractors, and can be between -100 and +100.

The chart below shows a benchmark range of NPS scores for arts and culture organisation surveys in the Culture Counts database, also broken down by artform. This dataset contains over 200 surveys, and over 46,000 individual responses to the net promoter score question.

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Aggregate: 227 surveys, 46,150 responses; Cultural Institution: 102 surveys, 19,848 responses; Performing Arts: 99 surveys, 17,722 responses; Festival: 26 surveys, 8,580 responses.

ArtformBenchmark (median) Net Promoter ScoreInterquartile Range (IQR)
Overall6250-71
Cultural Institution6041-71
Performing Arts6556-71
Festival5650-66
All Ages Tour, The Push — Photo: Tanya Volt

Marketing and Tourism

The Culture Counts Question Bank contains a marketing question that asks respondents how they heard about an event, activity or program. In 2023-24, 30 arts and cultural organisation used this standard question in their surveys, collecting over 5,500 responses. This data can assist organisations in using or promoting particular marketing methods that generate the greatest awareness or engagement.

Organisations carrying out economic impact assessment or wanting to understand the tourism impact of their events or activities ask respondents for their location of residence. More than 16,000 responses were collected in 2023-24. This measures the percentage of respondents living in the local government area, as well as those travelling from the wider metropolitan area, other parts of the state, interstate or overseas. Events with greater proportions of non-local attendees often bring additional expenditure into the local area, which can in turn boost the local economy. This data can assist organisations in understanding the typical tourism attraction of local activities and consider ways to increase the tourism and economic impact of certain events.

The first chart below shows the benchmark range for each marketing method as a respondent's primary source of information about the activity being evaluated. The second chart shows the benchmark range for respondents' primary location of residence.

Marketing

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Overall: 30 surveys, 5,588 responses; Cultural Institution: 11 surveys, 1,184 responses; Performing Arts: 16 surveys, 4,014 responses; Festival: 3 surveys, 390 responses.
Note: The 'Festival' grouping had a relatively low sample of surveys for this question, hence why the ranges of results are quite narrow. They have been included here as an approximate guide only.

Tourism

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Overall: 71 surveys, 16,071 responses; Cultural Institution: 26 surveys, 2,856 responses; Performing Arts: 29 surveys, 7,280 responses; Festival: 16 surveys, 5,935 responses.
World premiere exhibition at the 10th Ballarat International Foto Biennale UV Songlines: Illuminating Ancestral Roots by Colleen Strangways — Photo: Installation view photo by Garth Oriander, 2023

First Nations

Australia has a long and rich history of arts and culture, and First Nations peoples have been creating art in many forms for thousands of years. Currently, a range of organisations use Culture Counts to collect data on the outcomes of their programs and events across a range of disciplines.

To highlight these outcomes, we have split First Nations organisations into their own section. Despite coming from different artforms, we have found consistencies amongst the Dimension statements chosen.

Dimension Outcomes

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Surveys: 5 < s < 10; Responses: 43 < n < 251
Note: Minimum number of surveys for dimension to be included is 5.
Wundig wer Wilura, West Australian Opera — Photo: West Beach Studio

Respondent Profile

Gender

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Surveys: 13; Responses: 340.

Age Group

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Surveys: 14; Responses: 590.
Revealed Exhibition Opening - Fremantle Arts Centre — Photo: Pixel Poetry

Experience

Overall Experience

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Surveys: 14; Responses: 360.

Would Recommend (Net Promoter Score)

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Surveys: 9; Responses: 84.
FRINGE WORLD Festival, 2024, Artists Shoot — Photo: Miles Noel Photography

Talk to us


We would love to partner with you on your evaluation journey. Please complete the enquiry form and we will be in touch!

Data and Insights by

This report has been prepared by Culture Counts.

We would like to thank the following organisations for providing the images in this report:

Strange Festival (Photo: SoCo Studios)
Windmill Pictures (Photo: Claudio Raschella)
L2R Dance (Photo: NamChop)
Everybody Now! (Photo: Claudio Kirac Artwork Agency)
Victoria's Pride (Photo: Suzanne Balding)
SxSW Sydney (Photo: Jodie Barker)
The Push (Photo: Tanya Volt)
Ballarat International Foto Biennale (Photo: Garth Oriander)
West Australian Opera (Photo: West Beach Studio)
Fremantle Arts Centre (Photo: Pixel Poetry)
Artrage (Photo: Miles Noel Photography)

This report has been prepared by Culture Counts.

We respectfully acknowledge the Traditional Owners of Country throughout Australia and recognise the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures, and to Elders past and present.